8/21/12
urban dance
5/28/12
glowing text installations
7/14/11
bold & beautiful
Polaroid exhibit at Dallas Contemporary, "Bold & Beautiful" compiles Self Service publisher Ezra Petronio's most iconic contributors. (via)
I spy Lee, Carine, Marc, Tom, Hamish, Azzedine, Giorgio, Karl...
7/15/10
prada fantasy lookbook f/w 2010
Sorry for the image-heavy post, lovers but it was sooo hard for me to choose my fave images from Prada's fall 2010 35-image fantasy lookbook. Miuccia always steers away from the norm with her artful collections so wouldn't it only make sense to produce an equally artful lookbook? The cartoonish aspects of the lookbook are bright, bold and don't make a lot of sense... but they don't really have to; the clothes are the focal point of each image and its interesting to see how they're interpreted. Click here to see the full lookbook.
Art direction and Artwork by OMA (Alexander Reichert & Fausto Fantinuoli), with photography by Phil Meech.
fashioncopious
4/26/10
2/12/10
12/3/09
11/29/09
7/10/09
picasso



6/26/09
5/10/09
Tangled Alphabets

5/2/09
Le pop
I took a few photos walking around MoMA (more like hobbling around, my feet were killing me at this point). Evidently I seem to have an affinity towards violently-themed pop art (minus the painting of the man in the mirror by I'm not sure who because it didn't occur to me to write down his name...actually it didn't occur to me to write down the name of any artist. However I do know that the bisected image of Elvis is by Warhol...but I'm sure everybody knew that. ) And I digress (sorry). One of my favorite pieces is the "Guardian Angel Handbag". Its kind of kooky but I could totally envision myself walking around with it, primarily to gauge peoples' reactions. PS- please excuse the poor photo quality as I was using my measly Nikon Coolpix that only has like 1.5 pixels.
3/28/09
Landscapes



Winston Chmielinski's figures are landscapes: visual metaphors that reveal an alternate significance only in the eyes of a willing signifier. The disconnect between what is perceived and what is seen, or in the case of Winston’s portraits, the self that is reflected, and the self that is felt, can only be sutured back together in works that first fragment the physical plane—a concentration of color in one face, a plague of shadows on another—in hoping to catch (through these intentioned cracks) a fleeting glimpse of the unsheathed self. If one can chart out a surface’s entirety, even as an assemblage of seemingly incongruous pieces, will he thus render it wholly inconsequential?
-wi-ch.com





